Over the last eight or so years, Sandy Plotnikoff has used an antique foil stamping press to apply glittering, metallic foils onto probably thousands of objects, accumulating and transforming huge quantities of cheap, unremarkable objects, disused commodities and thrift-shop finds. He’s known for hand-printing and pasting hundreds of Value Village price stickers to unlikely or unsaleable objects, and for giving new life to bread tabs, bottoms of sneakers and, perhaps most memorably, vintage postcards, where for instance he captioned snapshots of the Grand Canyon with the wry announcement “Holidays Cancelled” and views of Mount Vesuvius with the heading “Toronto.” Snap fasteners, Velcro, buttons and second-hand socks are also among the artist’s choice material, his clusters of snaps becoming the stuff of sculptural form while simultaneously colonizing sweaters and wrist cuffs. Through his experimental adaptations of such ubiquitous material, Plotnikoff recuperates and transforms ordinary or obsolete objects into sculptural matter.